How to use a DaVinci Resolve Multicam Clip for Edits

Lately, we’ve been dealing with setting up and tweaking our multicam clip to perfection. Now, it’s time to roll up our sleeves and actually use this multicam clip for our editing work. The multicam edit workflow will make you feel as if you’re managing cameras in a live studio.

DaVinci Resolve Multicam Clip — Linking Source and Record Viewers

First up, after dragging your multicam clip to the timeline, you’ll see the typical video and audio tracks. The immediate task is to configure your viewers. Normally, you’d start with one viewer, but this time, let’s add a second one by clicking an inconspicuous button at the top right corner. This will split your current viewer into two.

If we tried to edit with the current setup though, we would notice that the two viewers are independent of each other — scrolling on the first one does nothing for the other. While independence is rightfully celebrated most of the time, in our case, we need to create a link between the left and the right viewer. 

We have to switch our ‘Source’ (left) viewer to the Multicam mode, and that’s why we are going to look for a screen icon with a downward-facing arrow, in the left bottom corner of the viewer, and opt for the Multicam option. 

The left scroll bar will then disappear, and as soon as you move the other one, both of the viewers will be affected. 

Cutting and Switching Angles

 When it comes to changing angles, DaVinci gives you two neat ways to do it:

• Direct Cutting: Hover over the Source viewer, and your cursor turns into a razor blade. Click on any angle, and it instantly cuts to that camera in the timeline.
• Smooth Switching: For a change that will not result in a cut, hold down the Option key (or Alt on Windows). This changes the angle without cutting, keeping the audio track uninterrupted.

Locking the Audio Track of the Multicam Clip

If your project requires a consistent audio background — like a continuous interview or concert sound — you’ll need to lock your audio track to avoid switching audio tracks when you change video angles. This way, you can switch video angles freely without messing with your master audio track.

For this, use the Option (or Alt) key on your keyboard. While holding the key, click on the master mix angle in your multicam clip. This action sets the master mix as your primary audio source and ensures that it remains the same regardless of the video angle changes.

Before We Get to the Actual Editing:

Optimizing the Source Viewer 

The real estate on your screen is precious, especially when dealing with multiple angles. Adjust the Source viewer to show more or fewer angles per your need. If you’re dealing with four camera feeds, a 2×2 grid might just do the trick, giving you a clear view of each angle without overcrowding the screen.

Keyboard Shortcuts for Faster Editing 

If you’re in the zone, keyboard shortcuts can be a lifesaver. Set up custom shortcuts to switch between angles, without having to move the mouse around the specific clips. This speeds up your workflow and lets you keep your creative flow uninterrupted.

Getting to the Actual Editing

As you play through your timeline, keep a keen eye on the Source viewer. This is where you’ll preview what each camera angle captured at any given moment. When you find a shot that you think fits perfectly into your story at that second, use the Direct Cutting method to instantly switch to that angle in the Record viewer. This is great for moments that capture reactions or other significant actions.

After your initial pass, scrub through your timeline to review the cuts. Look for any jarring transitions or missed beats. This is your chance to refine the pacing, ensure the story flows well, and the angles are showing the best possible visuals for each part of your narrative.

After all that’s done, it’s time for color grading, effects, and finally — export your project.